![]() ![]() Venom/Marvel ComicsĪs the cosmos is being conquered by the artificial super-intelligence colossi known as the Godminds, who are eradicating all biological life, Venom steps in to save it. ![]() And, like all of us, Venom is compelled to continue despite the pain it is in. Venom’s pain is one that many people have felt and will feel, a pain that is part of the human experience but rarely part of the Superhero experience. While this is a one-shot narrative with no ramifications for future events in the Marvel world, there is something meaningful at that moment, something humanizing and relatable. Venom, a figure whose name is rarely associated with either love or heroism, strives fiercely and fails to hold onto someone he loves. It isn’t heroic rather, it is a failed act of love and heroism. What makes this so powerful is that Eddie does not go out and save anyone. There is a critical distinction to be made between Venom and the object of its affections here - Eddie Brock is a this-dimensional muscular man from New York, while Venom is an immortal extra-dimensional shard of a shattered hive-mind. ![]() Venom was fascinated by organic living forms, particularly Eddie Brock, whom it adored. According to Warren, while the bulk of Symbiotes are basically killing robots, Venom was a little different. In the context of the immortal symbiote, this implies that Venom: The End examines humanity’s final day rather than Venom’s. Marvel’s The End series, including Miles Morales: The End, examines the final days of many Marvel heroes. It is this kind of end that Eddie Brock meets in Adam Warren’s Venom: The End #1. These little, silent deaths occur not as a result of the typical death ray, but rather as a result of something as basic as a gunshot or the shattering of a neck from a sudden jolt. Instead, our favorite heroes’ most memorable last stands have been the modest ones. ![]()
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